Purchased:
All
- Band-pass Equalisation - Slopes and Gradients
- Using Dynamic EQ on the Drum Group
- Using Modulators to add Dynamic Motion to Vocals
- Using Compression in Series to Process Lead Vocals
- Using Bump Automation to Process Vocal's Volume
- Tuning and Pitching Lead Rock Vocals
- Processing Backing Vocals
- Processing Lead Rock Vocals
- Extending the Dynamic Range of Rap Vocals
- Ducking Effects in Real-time using Vocal Triggers
- Downward and Upward Compression for Rap Vocals
- De-essing EDM female lead vocals
- Layering Backing Vocals to create Harmonies
- Using EQ to add Punch and Clarity on a TR 909 Kick Drum
- Using Dynamic EQ to balance Kick and Bass
- Using EQ to Clean and Enrich Rap Vocals
- Using EQ to add presence and dynamics to an Electric Bass
- Using EQ to add presence and dynamics to a Piano sound
- Using EQ to add presence and dynamics to a Guitar Line
- Get your 808 Kicks to bounce using Dynamic Equalisation
- Using the Pultec Eq on a Drum Beat
- MixBus Mastering Equalisation
- Gating Techniques for Vocals
- The 4 stages of Vocal Eq processing
- Creating Vocal Harmonies using Cubase
- The Art of Drum Layering - Advanced
- Avoiding Masking and Summing of frequencies by Panning
- Side-chaining Vocals against the Mix
- Using Side-Chaining to Duck Reverbs on Vocals
- Stealing Transients - Maximising Loudness
- How to use Reverb for Electronic Drums
- MixBus - Urban Music Pre Mastering
- MixBus - House Music Pre Mastering
- MixBus-Transparent Pre Mastering
- Processing a Kick Drum in Parallel
- Layering Kick Sounds using Tone Modules
- Processing Rap Vocals - Prep and Optimisation
- Roland TR 808 Kick Drum Bounce Processing
- Layering Kicks using a Tone Generator and Noise Gate
- Layering Snares using a Noise Gate and Pink/White Noise
- Layering Snares using a Synthesizer and a Noise Gate
- DIY Mastering using Pink Noise and Profiles
- Programming Drum Beats in Cubase
- Using Recycle REX Files and Constructing New Beats
- Ducking any Frequency using Middle and Side
- Mixing Bass and Kick
- Adding Sheen and Bounce to Roland TR 808 Kick drums
- Creating a Huge Low End Kick
- Shaping Drum Sounds for Layering
- Create Epic Drums Sounds using the 'Flip and Nudge' Technique
- Drum Layering in Native Instruments Battery
- Drum processing using Middle and Side - M/S
- Drum Layering Basics
- Layering Drum Sounds using Multiple Layers
- Roland TR 808 Kicks and Multiband Compression
- Compressing EDM Kick Drums
- EDM Kick Drum Processing using Valves/Tubes
- Using Chorus Creatively on Vocals
- Soundtoys Crystallizer- using Granular Synthesis on Vocals
- Using a Delay to create Chorus
- Using a Delay to Manipulate Stereo Width
- Add Variety to your Drum Beats using Delay Effects
- Delay Effect - Cross Feedback and Style
- Using Modulation to shape a Delay Effect's Filters
- Using Stereo Delays on Vocals
- Using a Delay as a Reverb
- Using a Delay to create a Crackle Effect
- Using a Flanger to create Stereo Effects
- Using a Phaser Effect on Synth Pad Sounds
- Processing Female Vocals using the Reverb 2445
- Creating a Big Studio Reverb a.k.a the Abbey Rd Reverb
- Reverb Compression for Drums
- Reverb smoothing using a De-Esser
- Drum Reverb
- Controlling Vocal Sibilance
- Creating a Master Mix Reverb
- iZotope Ozone Reverb - how to create a mix reverb
- Piano Reverb Processing
- Reverb - manipulating distance using Proximity
- Using Reverbs In Series for Female Vocals
- Creating a Smooth and Liquid Reverb
- Constructing the 3 master mix reverbs using Melda MReverb
- Creating the 3 master reverbs using the FabFilter Pro R reverb
- Mastering EQ - Air Band Processing
- Mastering Demos with EQ
- Eq Filters and Slopes/Responses
- Using Dynamic Equalisation on Female Vocals
- Dynamic EQ - what is it and how do you use it
- What is an equaliser and how does it work
- Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs
- Working the Air Band with Equalisation
- Filters and Filtering - what are filters and how do they work
- Using Modulation with a 2 Band Filter - FabFilter Simplon
- Using Modulation with a Single Band Filter - Soundtoys FilterFreak
- Using a Step Sequencer to control Filter Cut-Off and Resonance
- De-esser - what is it and how does it work
- Using Expansion - the power of Side-chaining
- Noise Gate - What is it and how does it work
- Noise Gates - Side-chaining Tricks
- Harmonic Distortion - Odd and Even Harmonics
- Harmonizer Effect - what it is and how to use it
- Normalisation - what it is and how to use it
- Using Phase Cancellation in Sound Design
- Tape Saturation - what is it and how do you use it
- Valves/Tubes - what are they and how do they work
- Converting Mono Channels to Stereo for Parallel Processing
- Layering Vocals using Parallel Compression
- Using Ghost Triggers for side-chaining
- Side-chain Pumping Effect
- Processing Low End Kicks
- Layering drums using middle and side processing
- Preparing and Optimising Audio for Mixing
- Summing in a Mix within your DAW
- DIY Mastering using Pink Noise
- ISP - Intersample Peaks
- Headroom and Dynamic Range
- Gain Staging using VU Meters
- Gain Staging using True Peak Meters
- Band Pass Equalisation - cleaning audio channels
- Cubase Balanced Panner versus Combined Panner
- Transparent Limiting with a Compressor
- Transparent Brickwall Limiting
- Side-chain Expansion - Bass and Kick processing
- Side-chaining Bass and Kick for EDM
- Pumping and Swelling Drum Beats using Compressors
- Negative Limiting using Valley People Dyna-mite
- Compressor Types - FET , Opto, VCA and Vari-Mu
- Feed-back Compression
- The 4 Modes of Compression and Expansion
- Compressing Hip Hop Drum Beats
- Mix Bus Compressor Topologies - which compressor to use on the master bus
- Compression - what is it and how to use it
- Multiband Compression - what is it and how do you use it
- Compressing Rap Vocals
- Compressing EDM Drums Beats
- Compressing Roland TR 909 Kick Drums
- Compressing Roland TR 808 Kick Drums
- Comparing Different Opto Compressors
- Using Midi Expression and Continuous Controllers
- Automation Lanes - what are they and how to use them
- Automating Plugin Parameters
- Extracting Audio Slices from any Beat and Converting them to Midi
- Ripping and using Timing Information from a Drum Beat
- Extracting Drum Sounds from a Beat using Drumagog
- Topping and Tailing Ripped Beats - Truncating and Normalising
- Working on the Sub Layer of a Kick Drum
- Processing a Snare to fit in with a Ripped Drum Break
- Realtime Automation
- Brickwall Limiting
- Creating a beat and an effect from a drum loop
- Combining Ripped Beats to create new Beats
