Using a Phaser Effect on Synth Pad Sounds

Learn how to program lush evolving synth pad effects using a phaser effect.


Purchase to view this tutorial

By purchasing this tutorial, you'll get immediate access - your purchase helps create new and exciting content and this site survive!

£2.00Add to basket

Using a Phaser Effect on Synth Pad Sounds video tutorial explains in detail how a phaser works and how to use it to process pad sounds.

I have always loved using dedicated phaser effects for processing pad sounds. No other effect seems to evoke such wonderful movement as a phaser processor.

Before we jump into using a phaser to process synth pad sounds let’s take a quick look at what phase is and how it affects audio.

Phase and Phase Cancellation

Phase occurs when two signal are time shifted. In other words, one signal will be offset by a specific amount to another. Basically, the phase is the progression along the cycle of the waveform determined as degrees. A 360 degree phase is one complete cycle of a waveform where 0 degrees is the start of the cycle. If two signals are aligned exactly in time and location then they are deemed to be in phase. If they are not then they are deemed to be out of phase. Short of going into an epic debate about the subject of phase it is probably best to explain what happens when signals are either in or out of phase. I will use a basic sine wave in stereo and then show you what happens when it is in phase and then 180 degrees out of phase (total phase cancellation).

Both sine waves are in phase and aligned perfectly.

By moving the other sine wave by 180 degrees (inverting), which is halfway along the cycle, we are able to see what happens when they are summed. This waveform is now 180 degrees out of phase. That means it has moved 180 degrees (upside down or inverted). In other words the peaks of the cycle coincide identically with the troughs of the other cycle. If I now sum these two channels to one mono output I should get silence (cancel out). This is called total phase cancellation.

Once the channels are summed you get the following; total phase cancellation.

Because total phase cancellation has taken place the result is simply silence.

If you vary the amount of phase by degrees you get partial phase cancellation and so on whereby some frequencies are canceled. This teaches us what happens with phase and how varying amounts of it affect the result. In terms of using phase in effects, the results can be honed to taste depending on how much and what type (positive/negative) are used.

Phaser and Phasing

Phasing behaves in much the same way as chorus and flanging but with shorter delay times and the effect itself is far more subtle. Because phasing works with shorter delay times than chorus and flanging the impression is that there is only one sound as opposed to two distinct sounds and because the LFO modulates frequencies (peaks and trough, also known as notches) the filtering effect is quite pleasing. Unlike flangers that use delay lines phasers use all-pass networks/stages which are all-pass filters and by adjusting the frequencies, and phase, of the stages different phase effects can be created. By going back to the principles of phase earlier in this tutorial we can then see how certain frequencies cancel each other out and therefore create different textures.

Phasers can be used to add swirls to sounds or to completely maul a sound into something else. Because it is a subtle effect it doesn’t mean you can’t extreme it for sound design purposes. As with all effects and dynamics, it is up to the individual to explore and experiment.

One of the more ‘delicious’ studio effects. Let me run through how it works and how to use it.

In Using a Phaser Effect on Synth Pad Sounds video I use NI Massive and generate a simple synth pad sequence to use with the phaser effect plugins. I explain how a phaser works and show you how to use Soundtoys PhaseMistress to process the synth pad sound. I then further manipulate the phased signal by running it through FabFilter’s Timeless and Eventide’s Blackhole making sure to explain each and every process and how each processor alters the sound. I use automation to control the various parameters of the effects processors and show you how easy it is to create movement using automation lanes. I finish by running through what settings to use to achieve different phasing results.

Plugins used in this video:

FabFilter Timeless

Soundtoys PhaseMistress

Eventide Blackhole

Topics covered in this video are:

  • What is it, how to use it and when to use it
  • Modulation
  • Phase Shift
  • Low-Frequency Oscillator
  • Stages and Rate
  • Filters and Resonance Mode
  • Positive and Negative Response
  • Notch and Notch Phase
  • All-Pass Filters

If you found this tutorial helpful then give these a try:

Phaser Effect – what it is and how it works

Total and Partial Phase cancellation

Studio and Multi Effects Masterclass

Creative Effects