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Automation
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Drum Design
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Dynamic Processors
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Effects
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Equalisation
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Filtering
/
Gain Staging
/
Low End
10th July 2019
/
by
eddie
Band-pass Equalisation – Slopes and Gradients
17th June 2019
/
by
eddie
Using Dynamic EQ on the Drum Group
14th May 2019
/
by
eddie
Using Modulators to add Dynamic Motion to Vocals
14th May 2019
/
by
eddie
Using Compression in Series to Process Lead Vocals
14th May 2019
/
by
eddie
Using Bump Automation to Process Vocal’s Volume
14th May 2019
/
by
eddie
Tuning and Pitching Lead Rock Vocals
14th May 2019
/
by
eddie
Processing Backing Vocals
14th May 2019
/
by
eddie
Processing Lead Rock Vocals
14th May 2019
/
by
eddie
Extending the Dynamic Range of Rap Vocals
14th May 2019
/
by
eddie
Ducking Effects in Real-time using Vocal Triggers
14th May 2019
/
by
eddie
Downward, Upward and Telecom Compression for Rap Vocals
14th May 2019
/
by
eddie
De-essing EDM female lead vocals
14th May 2019
/
by
eddie
Layering Backing Vocals to create Harmonies
7th March 2019
/
by
eddie
Using EQ for Punch and Clarity on a 909 Kick Drum
7th March 2019
/
by
eddie
Using Dynamic EQ to balance Kick and Bass
7th March 2019
/
by
eddie
Using EQ to Clean and Enrich Rap Vocals
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to an Electric Bass
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to a Piano sound
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to a Guitar Line
7th March 2019
/
by
eddie
Get your 808 Bass Drums to hit hard using Dynamic Equalisation
7th March 2019
/
by
eddie
Using the Pultec Eq on a Drum Beat
7th March 2019
/
by
eddie
MixBus Mastering Equalisation
15th January 2019
/
by
eddie
Gating Techniques for Vocals
14th January 2019
/
by
eddie
The 4 stages of Vocal Eq processing
13th November 2018
/
by
eddie
Creating Vocal Harmonies using Cubase
10th October 2018
/
by
eddie
The Art of Drum Layering – Advanced
20th September 2018
/
by
eddie
Avoiding Masking and Summing of frequencies by Panning
20th September 2018
/
by
eddie
Side-chaining Vocals against the Mix
2nd July 2018
/
by
eddie
Converting Dual Mono Tracks into Stereo in Cubase
21st June 2018
/
by
eddie
Using Side-Chaining to Duck Reverbs on Vocals
11th June 2018
/
by
eddie
Stealing Transients – Maximising Loudness
17th April 2018
/
by
eddie
How to use Reverb for Electronic Drums
16th April 2018
/
by
eddie
Layering Reverbs for a Big and Lush Effect
26th February 2018
/
by
eddie
Using Cubase’s Stock Reverb Plugins
24th January 2018
/
by
eddie
MixBus – Urban Music Pre Mastering
19th January 2018
/
by
eddie
MixBus – House Music Pre Mastering
17th January 2018
/
by
eddie
MixBus-Transparent Pre Mastering
16th November 2017
/
by
eddie
Processing a Kick Drum in Parallel
12th November 2017
/
by
eddie
Layering Kick Sounds using Tone Modules
11th October 2017
/
by
eddie
Processing Rap Vocals – Prep and Optimisation
20th September 2017
/
by
eddie
Roland TR 808 Kick Drum Bounce Processing
12th September 2017
/
by
eddie
Layering Kick Drums using a Tone/Test Generator and a Noise Gate
12th September 2017
/
by
eddie
Layering Snares using a Noise Gate and Pink/White Noise
12th September 2017
/
by
eddie
Layering Snares using a Synthesizer and a Noise Gate
2nd August 2017
/
by
eddie
DIY Mastering using Commercial Mix Profiles
29th June 2017
/
by
eddie
Programming Drum Beats using Cubase’s Key Editor
27th June 2017
/
by
eddie
Importing Recycle REX Files and Constructing New Beats
26th June 2017
/
by
eddie
Ducking any Frequency using Middle and Side
26th June 2017
/
by
eddie
Mixing Bass and Kick
21st June 2017
/
by
eddie
Adding Sheen and Bounce to Roland TR 808 Kick drums
21st June 2017
/
by
eddie
Creating a Huge Low End Kick
21st June 2017
/
by
eddie
Shaping Drum Sounds for Layering
21st June 2017
/
by
eddie
Create Epic Drums Sounds using the ‘Flip and Nudge’ Technique
21st June 2017
/
by
eddie
Drum Layering in Native Instruments Battery
21st June 2017
/
by
eddie
Drum processing using Middle and Side – M/S
21st June 2017
/
by
eddie
Drum Layering Basics
21st June 2017
/
by
eddie
Layering Drum Sounds using Multiple Layers
21st June 2017
/
by
eddie
Roland TR 808 Kicks and Multiband Compression
21st June 2017
/
by
eddie
Compressing EDM Kick Drums
21st June 2017
/
by
eddie
EDM Kick Drum Processing using Valves/Tubes
21st June 2017
/
by
eddie
Chorus Effect – what is it and how does it work
21st June 2017
/
by
eddie
Using Chorus Creatively on Vocals
21st June 2017
/
by
eddie
Soundtoys Crystallizer- using Granular Synthesis on Vocals
21st June 2017
/
by
eddie
Using a Delay to create Chorus
21st June 2017
/
by
eddie
How to Calculate Delay Times
21st June 2017
/
by
eddie
Using a Delay to Manipulate Stereo Width
21st June 2017
/
by
eddie
Delay Effect – what is it and how does it work
21st June 2017
/
by
eddie
Add Variety to your Drum Beats using Delay Effects
21st June 2017
/
by
eddie
Delay Effect – Cross Feedback and Style
21st June 2017
/
by
eddie
Using Modulation to shape a Delay Effect’s Filters
21st June 2017
/
by
eddie
Using Stereo Delays on Vocals
21st June 2017
/
by
eddie
Using a Delay as a Reverb
21st June 2017
/
by
eddie
Using a Delay to create a Crackle Effect
21st June 2017
/
by
eddie
Flanger Effect – what is it and how does it work
21st June 2017
/
by
eddie
Using a Flanger to create Stereo Effects
21st June 2017
/
by
eddie
Using a Phaser Effect on Synth Pad Sounds
21st June 2017
/
by
eddie
Phaser Effect – what it is and how it works
21st June 2017
/
by
eddie
Processing Female Vocals using the Reverb 2445
21st June 2017
/
by
eddie
Creating a Big Studio Reverb a.k.a the Abbey Rd Reverb
21st June 2017
/
by
eddie
Reverb Compression for Drums
21st June 2017
/
by
eddie
Reverb smoothing using a De-Esser
21st June 2017
/
by
eddie
Drum Reverb
21st June 2017
/
by
eddie
Controlling Vocal Sibilance
21st June 2017
/
by
eddie
Creating a Master Mix Reverb
21st June 2017
/
by
eddie
iZotope Ozone Reverb – how to create a mix reverb
21st June 2017
/
by
eddie
Piano Reverb Processing
21st June 2017
/
by
eddie
Reverb – manipulating distance using Proximity
21st June 2017
/
by
eddie
Reverb Effect – what is it and how does it work
20th June 2017
/
by
eddie
Using Reverbs In Series for Female Vocals
20th June 2017
/
by
eddie
Creating a Smooth and Liquid Reverb
20th June 2017
/
by
eddie
Constructing the 3 master mix reverbs using Melda MReverb
20th June 2017
/
by
eddie
Creating the 3 master reverbs using the FabFilter Pro R reverb
20th June 2017
/
by
eddie
Mastering EQ – Air Band Processing
20th June 2017
/
by
eddie
Mastering Demos with EQ
20th June 2017
/
by
eddie
Linear Phase Eq versus Minimum Phase Eq
20th June 2017
/
by
eddie
Eq Filters and Slopes/Responses
20th June 2017
/
by
eddie
Using Dynamic Equalisation on Female Vocals
20th June 2017
/
by
eddie
Dynamic EQ – what is it and how do you use it
20th June 2017
/
by
eddie
What is an equaliser and how does it work
20th June 2017
/
by
eddie
Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs
20th June 2017
/
by
eddie
Working the Air Band with Equalisation
20th June 2017
/
by
eddie
Filters and Filtering – what are filters and how do they work
20th June 2017
/
by
eddie
Using Modulation with a 2 Band Filter – FabFilter Simplon
20th June 2017
/
by
eddie
Using Modulation with a Single Band Filter – Soundtoys FilterFreak
20th June 2017
/
by
eddie
Using a Step Sequencer to control Filter Cut-Off and Resonance
20th June 2017
/
by
eddie
De-esser – what is it and how does it work
20th June 2017
/
by
eddie
Using Expansion – the power of Side-chaining
20th June 2017
/
by
eddie
Noise Gate – What is it and how does it work
20th June 2017
/
by
eddie
Noise Gates – Side-chaining Tricks
20th June 2017
/
by
eddie
Harmonic Distortion – Odd and Even Harmonics
20th June 2017
/
by
eddie
Harmonizer Effect – what it is and how to use it
20th June 2017
/
by
eddie
Normalisation – what it is and how to use it
20th June 2017
/
by
eddie
Phase – what is total and partial phase cancellation
20th June 2017
/
by
eddie
Using Phase Cancellation in Sound Design
20th June 2017
/
by
eddie
Tape Saturation – what is it and how do you use it
20th June 2017
/
by
eddie
Valves/Tubes – what are they and how do they work
20th June 2017
/
by
eddie
Converting Mono Channels to Stereo for Parallel Processing
20th June 2017
/
by
eddie
Layering Vocals using Parallel Compression
20th June 2017
/
by
eddie
Cubase Meter – Customising
20th June 2017
/
by
eddie
Metering Explained – VU LUFS LU K-Ref….
20th June 2017
/
by
eddie
Using Ghost Triggers for side-chaining
20th June 2017
/
by
eddie
Side-chain Pumping Effect
20th June 2017
/
by
eddie
Processing Low End Kicks
20th June 2017
/
by
eddie
Layering drums using middle and side processing
20th June 2017
/
by
eddie
Low End – what is Low End and how to Analyse it
19th June 2017
/
by
eddie
Summing in a Mix within your DAW
19th June 2017
/
by
eddie
The Pan Law
19th June 2017
/
by
eddie
DIY Mastering using Pink Noise
19th June 2017
/
by
eddie
ISP – Intersample Peaks
19th June 2017
/
by
eddie
Headroom and Dynamic Range
19th June 2017
/
by
eddie
Gain Staging using VU Meters
19th June 2017
/
by
eddie
Gain Staging using True Peak Meters
19th June 2017
/
by
eddie
Mixing to Pink Noise
19th June 2017
/
by
eddie
Band Pass Equalisation – cleaning audio channels
19th June 2017
/
by
eddie
Cubase Balanced Panner versus Combined Panner
19th June 2017
/
by
eddie
Compression – Science and Application
19th June 2017
/
by
eddie
Transparent Limiting with a Compressor
19th June 2017
/
by
eddie
Transparent Brickwall Limiting
19th June 2017
/
by
eddie
Side-chain Expansion – Bass and Kick processing
19th June 2017
/
by
eddie
Side-chaining Bass and Kick for EDM
19th June 2017
/
by
eddie
Pumping and Swelling Drum Beats using Compressors
19th June 2017
/
by
eddie
Negative Limiting using Valley People Dyna-mite
19th June 2017
/
by
eddie
Compressor Types – FET , Opto, VCA and Vari-Mu
19th June 2017
/
by
eddie
Feed-back Compression
19th June 2017
/
by
eddie
The 4 Modes of Compression and Expansion
19th June 2017
/
by
eddie
Compressing Hip Hop Drum Beats
19th June 2017
/
by
eddie
Mix Bus Compressor Topologies – which compressor to use on the master bus
19th June 2017
/
by
eddie
Compression – what is it and how to use it
19th June 2017
/
by
eddie
Multiband Compression – what is it and how do you use it
19th June 2017
/
by
eddie
Compressing Rap Vocals
19th June 2017
/
by
eddie
Compressing EDM Drums Beats
19th June 2017
/
by
eddie
Compressing Roland TR 909 Kick Drums
19th June 2017
/
by
eddie
Compressing Roland TR 808 Kick Drums
19th June 2017
/
by
eddie
Comparing Different Opto Compressors
19th June 2017
/
by
eddie
Using Midi Expression and Continuous Controllers
19th June 2017
/
by
eddie
Automation Lanes – what are they and how to use them
19th June 2017
/
by
eddie
Automating Plugin Parameters
19th June 2017
/
by
eddie
Extracting Audio Slices from any Beat and Converting them to Midi
19th June 2017
/
by
eddie
Ripping and using Timing Information from a Drum Beat
19th June 2017
/
by
eddie
Extracting Drum Sounds from a Beat using Drumagog
19th June 2017
/
by
eddie
Topping and Tailing Ripped Beats – Truncating and Normalising
19th June 2017
/
by
eddie
Working on the Sub Layer of a Kick Drum
19th June 2017
/
by
eddie
Processing a Snare to fit in with a Ripped Drum Break
19th June 2017
/
by
eddie
Real-time Automation
10th June 2017
/
by
eddie
Brickwall Limiting
10th June 2017
/
by
eddie
Creating a beat and an effect from a drum loop
9th June 2017
/
by
eddie
Combining Ripped Beats to create new Beats
8th June 2017
/
by
eddie
Chopping/Slicing Beats Using Recycle
14th May 2019
/
by
eddie
Using Bump Automation to Process Vocal’s Volume
20th September 2017
/
by
eddie
Roland TR 808 Kick Drum Bounce Processing
21st June 2017
/
by
eddie
Using a Phaser Effect on Synth Pad Sounds
19th June 2017
/
by
eddie
Using Midi Expression and Continuous Controllers
19th June 2017
/
by
eddie
Automation Lanes – what are they and how to use them
19th June 2017
/
by
eddie
Automating Plugin Parameters
19th June 2017
/
by
eddie
Real-time Automation
17th June 2019
/
by
eddie
Using Dynamic EQ on the Drum Group
7th March 2019
/
by
eddie
Using Dynamic EQ to balance Kick and Bass
7th March 2019
/
by
eddie
Get your 808 Bass Drums to hit hard using Dynamic Equalisation
7th March 2019
/
by
eddie
Using the Pultec Eq on a Drum Beat
10th October 2018
/
by
eddie
The Art of Drum Layering – Advanced
17th April 2018
/
by
eddie
How to use Reverb for Electronic Drums
16th November 2017
/
by
eddie
Processing a Kick Drum in Parallel
12th November 2017
/
by
eddie
Layering Kick Sounds using Tone Modules
12th September 2017
/
by
eddie
Layering Snares using a Noise Gate and Pink/White Noise
29th June 2017
/
by
eddie
Programming Drum Beats using Cubase’s Key Editor
27th June 2017
/
by
eddie
Importing Recycle REX Files and Constructing New Beats
26th June 2017
/
by
eddie
Mixing Bass and Kick
21st June 2017
/
by
eddie
Drum Layering in Native Instruments Battery
21st June 2017
/
by
eddie
Drum processing using Middle and Side – M/S
21st June 2017
/
by
eddie
Drum Layering Basics
21st June 2017
/
by
eddie
Roland TR 808 Kicks and Multiband Compression
21st June 2017
/
by
eddie
Compressing EDM Kick Drums
21st June 2017
/
by
eddie
Using a Delay to Manipulate Stereo Width
21st June 2017
/
by
eddie
Delay Effect – what is it and how does it work
21st June 2017
/
by
eddie
Add Variety to your Drum Beats using Delay Effects
21st June 2017
/
by
eddie
Using Modulation to shape a Delay Effect’s Filters
21st June 2017
/
by
eddie
Using a Delay as a Reverb
21st June 2017
/
by
eddie
Using a Delay to create a Crackle Effect
21st June 2017
/
by
eddie
Phaser Effect – what it is and how it works
21st June 2017
/
by
eddie
Reverb Compression for Drums
21st June 2017
/
by
eddie
Drum Reverb
20th June 2017
/
by
eddie
Constructing the 3 master mix reverbs using Melda MReverb
20th June 2017
/
by
eddie
Creating the 3 master reverbs using the FabFilter Pro R reverb
20th June 2017
/
by
eddie
Filters and Filtering – what are filters and how do they work
20th June 2017
/
by
eddie
Using Modulation with a 2 Band Filter – FabFilter Simplon
20th June 2017
/
by
eddie
Using Modulation with a Single Band Filter – Soundtoys FilterFreak
20th June 2017
/
by
eddie
Using a Step Sequencer to control Filter Cut-Off and Resonance
20th June 2017
/
by
eddie
Using Expansion – the power of Side-chaining
20th June 2017
/
by
eddie
Noise Gates – Side-chaining Tricks
20th June 2017
/
by
eddie
Harmonizer Effect – what it is and how to use it
20th June 2017
/
by
eddie
Using Phase Cancellation in Sound Design
20th June 2017
/
by
eddie
Side-chain Pumping Effect
20th June 2017
/
by
eddie
Processing Low End Kicks
20th June 2017
/
by
eddie
Layering drums using middle and side processing
19th June 2017
/
by
eddie
Band Pass Equalisation – cleaning audio channels
19th June 2017
/
by
eddie
Side-chain Expansion – Bass and Kick processing
19th June 2017
/
by
eddie
Side-chaining Bass and Kick for EDM
19th June 2017
/
by
eddie
Pumping and Swelling Drum Beats using Compressors
19th June 2017
/
by
eddie
Compressing Hip Hop Drum Beats
19th June 2017
/
by
eddie
Compressing EDM Drums Beats
19th June 2017
/
by
eddie
Compressing Roland TR 909 Kick Drums
19th June 2017
/
by
eddie
Compressing Roland TR 808 Kick Drums
19th June 2017
/
by
eddie
Comparing Different Opto Compressors
19th June 2017
/
by
eddie
Using Midi Expression and Continuous Controllers
19th June 2017
/
by
eddie
Automation Lanes – what are they and how to use them
19th June 2017
/
by
eddie
Extracting Audio Slices from any Beat and Converting them to Midi
19th June 2017
/
by
eddie
Ripping and using Timing Information from a Drum Beat
19th June 2017
/
by
eddie
Extracting Drum Sounds from a Beat using Drumagog
19th June 2017
/
by
eddie
Topping and Tailing Ripped Beats – Truncating and Normalising
19th June 2017
/
by
eddie
Working on the Sub Layer of a Kick Drum
19th June 2017
/
by
eddie
Processing a Snare to fit in with a Ripped Drum Break
10th June 2017
/
by
eddie
Creating a beat and an effect from a drum loop
9th June 2017
/
by
eddie
Combining Ripped Beats to create new Beats
8th June 2017
/
by
eddie
Chopping/Slicing Beats Using Recycle
14th May 2019
/
by
eddie
Using Compression in Series to Process Lead Vocals
14th May 2019
/
by
eddie
Processing Backing Vocals
14th May 2019
/
by
eddie
Extending the Dynamic Range of Rap Vocals
14th May 2019
/
by
eddie
Ducking Effects in Real-time using Vocal Triggers
14th May 2019
/
by
eddie
Downward, Upward and Telecom Compression for Rap Vocals
14th May 2019
/
by
eddie
Layering Backing Vocals to create Harmonies
21st June 2018
/
by
eddie
Using Side-Chaining to Duck Reverbs on Vocals
19th January 2018
/
by
eddie
MixBus – House Music Pre Mastering
17th January 2018
/
by
eddie
MixBus-Transparent Pre Mastering
20th September 2017
/
by
eddie
Roland TR 808 Kick Drum Bounce Processing
2nd August 2017
/
by
eddie
DIY Mastering using Commercial Mix Profiles
26th June 2017
/
by
eddie
Ducking any Frequency using Middle and Side
26th June 2017
/
by
eddie
Mixing Bass and Kick
21st June 2017
/
by
eddie
Adding Sheen and Bounce to Roland TR 808 Kick drums
21st June 2017
/
by
eddie
Creating a Huge Low End Kick
21st June 2017
/
by
eddie
Layering Drum Sounds using Multiple Layers
21st June 2017
/
by
eddie
Roland TR 808 Kicks and Multiband Compression
21st June 2017
/
by
eddie
Compressing EDM Kick Drums
21st June 2017
/
by
eddie
EDM Kick Drum Processing using Valves/Tubes
21st June 2017
/
by
eddie
Reverb Compression for Drums
20th June 2017
/
by
eddie
Using Expansion – the power of Side-chaining
20th June 2017
/
by
eddie
Layering Vocals using Parallel Compression
20th June 2017
/
by
eddie
Using Ghost Triggers for side-chaining
20th June 2017
/
by
eddie
Side-chain Pumping Effect
20th June 2017
/
by
eddie
Processing Low End Kicks
19th June 2017
/
by
eddie
Compression – Science and Application
19th June 2017
/
by
eddie
Transparent Limiting with a Compressor
19th June 2017
/
by
eddie
Transparent Brickwall Limiting
19th June 2017
/
by
eddie
Side-chain Expansion – Bass and Kick processing
19th June 2017
/
by
eddie
Side-chaining Bass and Kick for EDM
19th June 2017
/
by
eddie
Pumping and Swelling Drum Beats using Compressors
19th June 2017
/
by
eddie
Negative Limiting using Valley People Dyna-mite
19th June 2017
/
by
eddie
Compressor Types – FET , Opto, VCA and Vari-Mu
19th June 2017
/
by
eddie
Feed-back Compression
19th June 2017
/
by
eddie
The 4 Modes of Compression and Expansion
19th June 2017
/
by
eddie
Compressing Hip Hop Drum Beats
19th June 2017
/
by
eddie
Mix Bus Compressor Topologies – which compressor to use on the master bus
19th June 2017
/
by
eddie
Compression – what is it and how to use it
19th June 2017
/
by
eddie
Multiband Compression – what is it and how do you use it
19th June 2017
/
by
eddie
Compressing Rap Vocals
19th June 2017
/
by
eddie
Compressing EDM Drums Beats
19th June 2017
/
by
eddie
Compressing Roland TR 909 Kick Drums
19th June 2017
/
by
eddie
Compressing Roland TR 808 Kick Drums
19th June 2017
/
by
eddie
Comparing Different Opto Compressors
10th June 2017
/
by
eddie
Brickwall Limiting
17th June 2019
/
by
eddie
Using Dynamic EQ on the Drum Group
7th March 2019
/
by
eddie
Using EQ for Punch and Clarity on a 909 Kick Drum
10th October 2018
/
by
eddie
The Art of Drum Layering – Advanced
20th September 2018
/
by
eddie
Avoiding Masking and Summing of frequencies by Panning
17th April 2018
/
by
eddie
How to use Reverb for Electronic Drums
16th November 2017
/
by
eddie
Processing a Kick Drum in Parallel
12th November 2017
/
by
eddie
Layering Kick Sounds using Tone Modules
12th September 2017
/
by
eddie
Layering Kick Drums using a Tone/Test Generator and a Noise Gate
12th September 2017
/
by
eddie
Layering Snares using a Noise Gate and Pink/White Noise
12th September 2017
/
by
eddie
Layering Snares using a Synthesizer and a Noise Gate
29th June 2017
/
by
eddie
Programming Drum Beats using Cubase’s Key Editor
27th June 2017
/
by
eddie
Importing Recycle REX Files and Constructing New Beats
21st June 2017
/
by
eddie
Adding Sheen and Bounce to Roland TR 808 Kick drums
21st June 2017
/
by
eddie
Creating a Huge Low End Kick
21st June 2017
/
by
eddie
Shaping Drum Sounds for Layering
21st June 2017
/
by
eddie
Create Epic Drums Sounds using the ‘Flip and Nudge’ Technique
21st June 2017
/
by
eddie
Drum Layering in Native Instruments Battery
21st June 2017
/
by
eddie
Drum processing using Middle and Side – M/S
21st June 2017
/
by
eddie
Drum Layering Basics
21st June 2017
/
by
eddie
Layering Drum Sounds using Multiple Layers
21st June 2017
/
by
eddie
Roland TR 808 Kicks and Multiband Compression
21st June 2017
/
by
eddie
Compressing EDM Kick Drums
21st June 2017
/
by
eddie
EDM Kick Drum Processing using Valves/Tubes
21st June 2017
/
by
eddie
Using a Delay to Manipulate Stereo Width
21st June 2017
/
by
eddie
Add Variety to your Drum Beats using Delay Effects
21st June 2017
/
by
eddie
Drum Reverb
20th June 2017
/
by
eddie
Using Expansion – the power of Side-chaining
20th June 2017
/
by
eddie
Harmonizer Effect – what it is and how to use it
20th June 2017
/
by
eddie
Using Phase Cancellation in Sound Design
20th June 2017
/
by
eddie
Layering drums using middle and side processing
19th June 2017
/
by
eddie
Compressing EDM Drums Beats
19th June 2017
/
by
eddie
Compressing Roland TR 909 Kick Drums
19th June 2017
/
by
eddie
Compressing Roland TR 808 Kick Drums
19th June 2017
/
by
eddie
Extracting Drum Sounds from a Beat using Drumagog
19th June 2017
/
by
eddie
Topping and Tailing Ripped Beats – Truncating and Normalising
19th June 2017
/
by
eddie
Working on the Sub Layer of a Kick Drum
19th June 2017
/
by
eddie
Processing a Snare to fit in with a Ripped Drum Break
9th June 2017
/
by
eddie
Combining Ripped Beats to create new Beats
8th June 2017
/
by
eddie
Chopping/Slicing Beats Using Recycle
10th July 2019
/
by
eddie
Band-pass Equalisation – Slopes and Gradients
17th June 2019
/
by
eddie
Using Dynamic EQ on the Drum Group
14th May 2019
/
by
eddie
Using Modulators to add Dynamic Motion to Vocals
14th May 2019
/
by
eddie
Tuning and Pitching Lead Rock Vocals
14th May 2019
/
by
eddie
Processing Backing Vocals
14th May 2019
/
by
eddie
Processing Lead Rock Vocals
14th May 2019
/
by
eddie
Extending the Dynamic Range of Rap Vocals
14th May 2019
/
by
eddie
Ducking Effects in Real-time using Vocal Triggers
14th May 2019
/
by
eddie
De-essing EDM female lead vocals
14th May 2019
/
by
eddie
Layering Backing Vocals to create Harmonies
7th March 2019
/
by
eddie
Using EQ for Punch and Clarity on a 909 Kick Drum
7th March 2019
/
by
eddie
Using Dynamic EQ to balance Kick and Bass
7th March 2019
/
by
eddie
Using EQ to Clean and Enrich Rap Vocals
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to an Electric Bass
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to a Piano sound
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to a Guitar Line
7th March 2019
/
by
eddie
Get your 808 Bass Drums to hit hard using Dynamic Equalisation
7th March 2019
/
by
eddie
Using the Pultec Eq on a Drum Beat
7th March 2019
/
by
eddie
MixBus Mastering Equalisation
15th January 2019
/
by
eddie
Gating Techniques for Vocals
14th January 2019
/
by
eddie
The 4 stages of Vocal Eq processing
13th November 2018
/
by
eddie
Creating Vocal Harmonies using Cubase
10th October 2018
/
by
eddie
The Art of Drum Layering – Advanced
20th September 2018
/
by
eddie
Avoiding Masking and Summing of frequencies by Panning
20th September 2018
/
by
eddie
Side-chaining Vocals against the Mix
21st June 2018
/
by
eddie
Using Side-Chaining to Duck Reverbs on Vocals
11th June 2018
/
by
eddie
Stealing Transients – Maximising Loudness
24th January 2018
/
by
eddie
MixBus – Urban Music Pre Mastering
19th January 2018
/
by
eddie
MixBus – House Music Pre Mastering
17th January 2018
/
by
eddie
MixBus-Transparent Pre Mastering
16th November 2017
/
by
eddie
Processing a Kick Drum in Parallel
12th November 2017
/
by
eddie
Layering Kick Sounds using Tone Modules
11th October 2017
/
by
eddie
Processing Rap Vocals – Prep and Optimisation
20th September 2017
/
by
eddie
Roland TR 808 Kick Drum Bounce Processing
12th September 2017
/
by
eddie
Layering Kick Drums using a Tone/Test Generator and a Noise Gate
12th September 2017
/
by
eddie
Layering Snares using a Noise Gate and Pink/White Noise
12th September 2017
/
by
eddie
Layering Snares using a Synthesizer and a Noise Gate
2nd August 2017
/
by
eddie
DIY Mastering using Commercial Mix Profiles
26th June 2017
/
by
eddie
Ducking any Frequency using Middle and Side
26th June 2017
/
by
eddie
Mixing Bass and Kick
21st June 2017
/
by
eddie
Adding Sheen and Bounce to Roland TR 808 Kick drums
21st June 2017
/
by
eddie
Creating a Huge Low End Kick
21st June 2017
/
by
eddie
Shaping Drum Sounds for Layering
21st June 2017
/
by
eddie
Create Epic Drums Sounds using the ‘Flip and Nudge’ Technique
21st June 2017
/
by
eddie
Drum processing using Middle and Side – M/S
21st June 2017
/
by
eddie
Drum Layering Basics
21st June 2017
/
by
eddie
Layering Drum Sounds using Multiple Layers
21st June 2017
/
by
eddie
Roland TR 808 Kicks and Multiband Compression
21st June 2017
/
by
eddie
Compressing EDM Kick Drums
21st June 2017
/
by
eddie
EDM Kick Drum Processing using Valves/Tubes
21st June 2017
/
by
eddie
Add Variety to your Drum Beats using Delay Effects
21st June 2017
/
by
eddie
Using a Phaser Effect on Synth Pad Sounds
21st June 2017
/
by
eddie
Reverb smoothing using a De-Esser
21st June 2017
/
by
eddie
Controlling Vocal Sibilance
21st June 2017
/
by
eddie
Reverb – manipulating distance using Proximity
20th June 2017
/
by
eddie
Mastering EQ – Air Band Processing
20th June 2017
/
by
eddie
Mastering Demos with EQ
20th June 2017
/
by
eddie
Linear Phase Eq versus Minimum Phase Eq
20th June 2017
/
by
eddie
Eq Filters and Slopes/Responses
20th June 2017
/
by
eddie
Using Dynamic Equalisation on Female Vocals
20th June 2017
/
by
eddie
Dynamic EQ – what is it and how do you use it
20th June 2017
/
by
eddie
What is an equaliser and how does it work
20th June 2017
/
by
eddie
Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs
20th June 2017
/
by
eddie
Working the Air Band with Equalisation
20th June 2017
/
by
eddie
Filters and Filtering – what are filters and how do they work
20th June 2017
/
by
eddie
Using Modulation with a 2 Band Filter – FabFilter Simplon
20th June 2017
/
by
eddie
Using Modulation with a Single Band Filter – Soundtoys FilterFreak
20th June 2017
/
by
eddie
Using a Step Sequencer to control Filter Cut-Off and Resonance
20th June 2017
/
by
eddie
De-esser – what is it and how does it work
20th June 2017
/
by
eddie
Using Expansion – the power of Side-chaining
20th June 2017
/
by
eddie
Noise Gate – What is it and how does it work
20th June 2017
/
by
eddie
Noise Gates – Side-chaining Tricks
20th June 2017
/
by
eddie
Harmonic Distortion – Odd and Even Harmonics
20th June 2017
/
by
eddie
Harmonizer Effect – what it is and how to use it
20th June 2017
/
by
eddie
Normalisation – what it is and how to use it
20th June 2017
/
by
eddie
Phase – what is total and partial phase cancellation
20th June 2017
/
by
eddie
Using Phase Cancellation in Sound Design
20th June 2017
/
by
eddie
Tape Saturation – what is it and how do you use it
20th June 2017
/
by
eddie
Valves/Tubes – what are they and how do they work
20th June 2017
/
by
eddie
Converting Mono Channels to Stereo for Parallel Processing
20th June 2017
/
by
eddie
Layering drums using middle and side processing
19th June 2017
/
by
eddie
Band Pass Equalisation – cleaning audio channels
19th June 2017
/
by
eddie
Cubase Balanced Panner versus Combined Panner
19th June 2017
/
by
eddie
Compression – Science and Application
19th June 2017
/
by
eddie
Side-chain Expansion – Bass and Kick processing
19th June 2017
/
by
eddie
Side-chaining Bass and Kick for EDM
19th June 2017
/
by
eddie
Pumping and Swelling Drum Beats using Compressors
19th June 2017
/
by
eddie
Negative Limiting using Valley People Dyna-mite
19th June 2017
/
by
eddie
Compressor Types – FET , Opto, VCA and Vari-Mu
19th June 2017
/
by
eddie
Feed-back Compression
19th June 2017
/
by
eddie
The 4 Modes of Compression and Expansion
19th June 2017
/
by
eddie
Automating Plugin Parameters
19th June 2017
/
by
eddie
Topping and Tailing Ripped Beats – Truncating and Normalising
19th June 2017
/
by
eddie
Working on the Sub Layer of a Kick Drum
14th May 2019
/
by
eddie
Using Modulators to add Dynamic Motion to Vocals
14th May 2019
/
by
eddie
Processing Lead Rock Vocals
14th May 2019
/
by
eddie
Ducking Effects in Real-time using Vocal Triggers
21st June 2018
/
by
eddie
Using Side-Chaining to Duck Reverbs on Vocals
17th April 2018
/
by
eddie
How to use Reverb for Electronic Drums
16th April 2018
/
by
eddie
Layering Reverbs for a Big and Lush Effect
26th February 2018
/
by
eddie
Using Cubase’s Stock Reverb Plugins
11th October 2017
/
by
eddie
Processing Rap Vocals – Prep and Optimisation
2nd August 2017
/
by
eddie
DIY Mastering using Commercial Mix Profiles
26th June 2017
/
by
eddie
Mixing Bass and Kick
21st June 2017
/
by
eddie
Layering Drum Sounds using Multiple Layers
21st June 2017
/
by
eddie
EDM Kick Drum Processing using Valves/Tubes
21st June 2017
/
by
eddie
Chorus Effect – what is it and how does it work
21st June 2017
/
by
eddie
Using Chorus Creatively on Vocals
21st June 2017
/
by
eddie
Soundtoys Crystallizer- using Granular Synthesis on Vocals
21st June 2017
/
by
eddie
Using a Delay to create Chorus
21st June 2017
/
by
eddie
How to Calculate Delay Times
21st June 2017
/
by
eddie
Using a Delay to Manipulate Stereo Width
21st June 2017
/
by
eddie
Delay Effect – what is it and how does it work
21st June 2017
/
by
eddie
Add Variety to your Drum Beats using Delay Effects
21st June 2017
/
by
eddie
Delay Effect – Cross Feedback and Style
21st June 2017
/
by
eddie
Using Modulation to shape a Delay Effect’s Filters
21st June 2017
/
by
eddie
Using Stereo Delays on Vocals
21st June 2017
/
by
eddie
Using a Delay as a Reverb
21st June 2017
/
by
eddie
Using a Delay to create a Crackle Effect
21st June 2017
/
by
eddie
Flanger Effect – what is it and how does it work
21st June 2017
/
by
eddie
Using a Flanger to create Stereo Effects
21st June 2017
/
by
eddie
Using a Phaser Effect on Synth Pad Sounds
21st June 2017
/
by
eddie
Phaser Effect – what it is and how it works
21st June 2017
/
by
eddie
Processing Female Vocals using the Reverb 2445
21st June 2017
/
by
eddie
Creating a Big Studio Reverb a.k.a the Abbey Rd Reverb
21st June 2017
/
by
eddie
Reverb Compression for Drums
21st June 2017
/
by
eddie
Reverb smoothing using a De-Esser
21st June 2017
/
by
eddie
Drum Reverb
21st June 2017
/
by
eddie
Controlling Vocal Sibilance
21st June 2017
/
by
eddie
Creating a Master Mix Reverb
21st June 2017
/
by
eddie
iZotope Ozone Reverb – how to create a mix reverb
21st June 2017
/
by
eddie
Piano Reverb Processing
21st June 2017
/
by
eddie
Reverb – manipulating distance using Proximity
21st June 2017
/
by
eddie
Reverb Effect – what is it and how does it work
20th June 2017
/
by
eddie
Using Reverbs In Series for Female Vocals
20th June 2017
/
by
eddie
Creating a Smooth and Liquid Reverb
20th June 2017
/
by
eddie
Constructing the 3 master mix reverbs using Melda MReverb
20th June 2017
/
by
eddie
Creating the 3 master reverbs using the FabFilter Pro R reverb
20th June 2017
/
by
eddie
Filters and Filtering – what are filters and how do they work
20th June 2017
/
by
eddie
Using Modulation with a 2 Band Filter – FabFilter Simplon
20th June 2017
/
by
eddie
Using Modulation with a Single Band Filter – Soundtoys FilterFreak
20th June 2017
/
by
eddie
Using a Step Sequencer to control Filter Cut-Off and Resonance
20th June 2017
/
by
eddie
Harmonic Distortion – Odd and Even Harmonics
20th June 2017
/
by
eddie
Harmonizer Effect – what it is and how to use it
20th June 2017
/
by
eddie
Tape Saturation – what is it and how do you use it
20th June 2017
/
by
eddie
Valves/Tubes – what are they and how do they work
20th June 2017
/
by
eddie
Layering drums using middle and side processing
19th June 2017
/
by
eddie
Automating Plugin Parameters
19th June 2017
/
by
eddie
Real-time Automation
10th July 2019
/
by
eddie
Band-pass Equalisation – Slopes and Gradients
17th June 2019
/
by
eddie
Using Dynamic EQ on the Drum Group
14th May 2019
/
by
eddie
Using Modulators to add Dynamic Motion to Vocals
14th May 2019
/
by
eddie
Processing Backing Vocals
14th May 2019
/
by
eddie
Processing Lead Rock Vocals
14th May 2019
/
by
eddie
Extending the Dynamic Range of Rap Vocals
14th May 2019
/
by
eddie
Layering Backing Vocals to create Harmonies
7th March 2019
/
by
eddie
Using EQ for Punch and Clarity on a 909 Kick Drum
7th March 2019
/
by
eddie
Using Dynamic EQ to balance Kick and Bass
7th March 2019
/
by
eddie
Using EQ to Clean and Enrich Rap Vocals
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to an Electric Bass
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to a Piano sound
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to a Guitar Line
7th March 2019
/
by
eddie
Get your 808 Bass Drums to hit hard using Dynamic Equalisation
7th March 2019
/
by
eddie
Using the Pultec Eq on a Drum Beat
7th March 2019
/
by
eddie
MixBus Mastering Equalisation
14th January 2019
/
by
eddie
The 4 stages of Vocal Eq processing
20th September 2018
/
by
eddie
Side-chaining Vocals against the Mix
21st June 2018
/
by
eddie
Using Side-Chaining to Duck Reverbs on Vocals
24th January 2018
/
by
eddie
MixBus – Urban Music Pre Mastering
19th January 2018
/
by
eddie
MixBus – House Music Pre Mastering
17th January 2018
/
by
eddie
MixBus-Transparent Pre Mastering
12th November 2017
/
by
eddie
Layering Kick Sounds using Tone Modules
11th October 2017
/
by
eddie
Processing Rap Vocals – Prep and Optimisation
20th September 2017
/
by
eddie
Roland TR 808 Kick Drum Bounce Processing
2nd August 2017
/
by
eddie
DIY Mastering using Commercial Mix Profiles
26th June 2017
/
by
eddie
Ducking any Frequency using Middle and Side
20th June 2017
/
by
eddie
Mastering EQ – Air Band Processing
20th June 2017
/
by
eddie
Mastering Demos with EQ
20th June 2017
/
by
eddie
Linear Phase Eq versus Minimum Phase Eq
20th June 2017
/
by
eddie
Eq Filters and Slopes/Responses
20th June 2017
/
by
eddie
Using Dynamic Equalisation on Female Vocals
20th June 2017
/
by
eddie
Dynamic EQ – what is it and how do you use it
20th June 2017
/
by
eddie
What is an equaliser and how does it work
20th June 2017
/
by
eddie
Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs
20th June 2017
/
by
eddie
Working the Air Band with Equalisation
20th June 2017
/
by
eddie
Filters and Filtering – what are filters and how do they work
20th June 2017
/
by
eddie
Using Modulation with a 2 Band Filter – FabFilter Simplon
20th June 2017
/
by
eddie
Using Modulation with a Single Band Filter – Soundtoys FilterFreak
20th June 2017
/
by
eddie
Using a Step Sequencer to control Filter Cut-Off and Resonance
20th June 2017
/
by
eddie
Processing Low End Kicks
19th June 2017
/
by
eddie
DIY Mastering using Pink Noise
19th June 2017
/
by
eddie
Band Pass Equalisation – cleaning audio channels
14th May 2019
/
by
eddie
Using Modulators to add Dynamic Motion to Vocals
20th June 2017
/
by
eddie
Filters and Filtering – what are filters and how do they work
20th June 2017
/
by
eddie
Using Modulation with a 2 Band Filter – FabFilter Simplon
20th June 2017
/
by
eddie
Using Modulation with a Single Band Filter – Soundtoys FilterFreak
20th June 2017
/
by
eddie
Using a Step Sequencer to control Filter Cut-Off and Resonance
14th May 2019
/
by
eddie
Using Compression in Series to Process Lead Vocals
20th September 2018
/
by
eddie
Avoiding Masking and Summing of frequencies by Panning
2nd July 2018
/
by
eddie
Converting Dual Mono Tracks into Stereo in Cubase
11th June 2018
/
by
eddie
Stealing Transients – Maximising Loudness
20th June 2017
/
by
eddie
Normalisation – what it is and how to use it
20th June 2017
/
by
eddie
Phase – what is total and partial phase cancellation
20th June 2017
/
by
eddie
Cubase Meter – Customising
20th June 2017
/
by
eddie
Metering Explained – VU LUFS LU K-Ref….
19th June 2017
/
by
eddie
Summing in a Mix within your DAW
19th June 2017
/
by
eddie
The Pan Law
19th June 2017
/
by
eddie
DIY Mastering using Pink Noise
19th June 2017
/
by
eddie
ISP – Intersample Peaks
19th June 2017
/
by
eddie
Headroom and Dynamic Range
19th June 2017
/
by
eddie
Gain Staging using VU Meters
19th June 2017
/
by
eddie
Gain Staging using True Peak Meters
19th June 2017
/
by
eddie
Mixing to Pink Noise
19th June 2017
/
by
eddie
Band Pass Equalisation – cleaning audio channels
19th June 2017
/
by
eddie
Cubase Balanced Panner versus Combined Panner
17th June 2019
/
by
eddie
Using Dynamic EQ on the Drum Group
7th March 2019
/
by
eddie
Using EQ for Punch and Clarity on a 909 Kick Drum
7th March 2019
/
by
eddie
Using Dynamic EQ to balance Kick and Bass
7th March 2019
/
by
eddie
Using EQ to add presence and dynamics to an Electric Bass
7th March 2019
/
by
eddie
Get your 808 Bass Drums to hit hard using Dynamic Equalisation
7th March 2019
/
by
eddie
Using the Pultec Eq on a Drum Beat
16th November 2017
/
by
eddie
Processing a Kick Drum in Parallel
12th November 2017
/
by
eddie
Layering Kick Sounds using Tone Modules
20th September 2017
/
by
eddie
Roland TR 808 Kick Drum Bounce Processing
12th September 2017
/
by
eddie
Layering Kick Drums using a Tone/Test Generator and a Noise Gate
29th June 2017
/
by
eddie
Programming Drum Beats using Cubase’s Key Editor
27th June 2017
/
by
eddie
Importing Recycle REX Files and Constructing New Beats
26th June 2017
/
by
eddie
Mixing Bass and Kick
21st June 2017
/
by
eddie
Adding Sheen and Bounce to Roland TR 808 Kick drums
21st June 2017
/
by
eddie
Creating a Huge Low End Kick
21st June 2017
/
by
eddie
Roland TR 808 Kicks and Multiband Compression
20th June 2017
/
by
eddie
Mastering EQ – Air Band Processing
20th June 2017
/
by
eddie
Eq Filters and Slopes/Responses
20th June 2017
/
by
eddie
Dynamic EQ – what is it and how do you use it
20th June 2017
/
by
eddie
Using Ghost Triggers for side-chaining
20th June 2017
/
by
eddie
Side-chain Pumping Effect
20th June 2017
/
by
eddie
Processing Low End Kicks
20th June 2017
/
by
eddie
Layering drums using middle and side processing
20th June 2017
/
by
eddie
Low End – what is Low End and how to Analyse it
19th June 2017
/
by
eddie
Side-chain Expansion – Bass and Kick processing
19th June 2017
/
by
eddie
Side-chaining Bass and Kick for EDM
19th June 2017
/
by
eddie
Pumping and Swelling Drum Beats using Compressors
19th June 2017
/
by
eddie
Compressing Hip Hop Drum Beats
19th June 2017
/
by
eddie
Multiband Compression – what is it and how do you use it
19th June 2017
/
by
eddie
Compressing Roland TR 808 Kick Drums
19th June 2017
/
by
eddie
Extracting Drum Sounds from a Beat using Drumagog
19th June 2017
/
by
eddie
Working on the Sub Layer of a Kick Drum
19th June 2017
/
by
eddie
Processing a Snare to fit in with a Ripped Drum Break
9th June 2017
/
by
eddie
Combining Ripped Beats to create new Beats
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