Audio Production and Mixing Tutorials from Eddie Bazil.

All/Automation/Beat Construction/Compression/Drum Design/Dynamic Processors/Effects/Equalisation/Filtering/Gain Staging/Low End

10th July 2019/by eddie

Band-pass Equalisation – Slopes and Gradients

17th June 2019/by eddie

Using Dynamic EQ on the Drum Group

7th March 2019/by eddie

Using EQ for Punch and Clarity on a 909 Kick Drum

7th March 2019/by eddie

Using Dynamic EQ to balance Kick and Bass

7th March 2019/by eddie

Using EQ to Clean and Enrich Rap Vocals

7th March 2019/by eddie

Using EQ to add presence and dynamics to an Electric Bass

7th March 2019/by eddie

Using EQ to add presence and dynamics to a Piano sound

7th March 2019/by eddie

Using EQ to add presence and dynamics to a Guitar Line

7th March 2019/by eddie

Get your 808 Bass Drums to hit hard using Dynamic Equalisation

7th March 2019/by eddie

Using the Pultec Eq on a Drum Beat

10th October 2018/by eddie

The Art of Drum Layering – Advanced

20th September 2018/by eddie

Avoiding Masking and Summing of frequencies by Panning

2nd July 2018/by eddie

Converting Dual Mono Tracks into Stereo in Cubase

17th April 2018/by eddie

How to use Reverb for Electronic Drums

16th April 2018/by eddie

Layering Reverbs for a Big and Lush Effect

26th February 2018/by eddie

Using Cubase’s Stock Reverb Plugins

16th November 2017/by eddie

Processing a Kick Drum in Parallel

12th November 2017/by eddie

Layering Kick Sounds using Tone Modules

20th September 2017/by eddie

Roland TR 808 Kick Drum Bounce Processing

12th September 2017/by eddie

Layering Kick Drums using a Tone/Test Generator and a Noise Gate

12th September 2017/by eddie

Layering Snares using a Noise Gate and Pink/White Noise

12th September 2017/by eddie

Layering Snares using a Synthesizer and a Noise Gate

29th June 2017/by eddie

Programming Drum Beats using Cubase’s Key Editor

27th June 2017/by eddie

Importing Recycle REX Files and Constructing New Beats

26th June 2017/by eddie

Ducking any Frequency using Middle and Side

26th June 2017/by eddie

Mixing Bass and Kick

21st June 2017/by eddie

Adding Sheen and Bounce to Roland TR 808 Kick drums

21st June 2017/by eddie

Creating a Huge Low End Kick

21st June 2017/by eddie

Shaping Drum Sounds for Layering

21st June 2017/by eddie

Create Epic Drums Sounds using the ‘Flip and Nudge’ Technique

21st June 2017/by eddie

Drum Layering in Native Instruments Battery

21st June 2017/by eddie

Drum processing using Middle and Side – M/S

21st June 2017/by eddie

Drum Layering Basics

21st June 2017/by eddie

Layering Drum Sounds using Multiple Layers

21st June 2017/by eddie

TR 808 Kicks and Multiband Compression

21st June 2017/by eddie

Compressing EDM Kick Drums

21st June 2017/by eddie

EDM Kick Drum Processing using Valves/Tubes

21st June 2017/by eddie

Chorus Effect – what is it and how does it work

21st June 2017/by eddie

Using Chorus Creatively on Vocals

21st June 2017/by eddie

Soundtoys Crystallizer- using Granular Synthesis on Vocals

21st June 2017/by eddie

Using a Delay to create Chorus

21st June 2017/by eddie

How to Calculate Delay Times

21st June 2017/by eddie

Using a Delay to Manipulate Stereo Width

21st June 2017/by eddie

Delay Effect – what is it and how does it work

21st June 2017/by eddie

Add Variety to your Drum Beats using Delay Effects

21st June 2017/by eddie

Delay Effect – Cross Feedback and Style

21st June 2017/by eddie

Using Modulation to shape a Delay Effect’s Filters

21st June 2017/by eddie

Using Stereo Delays on Vocals

21st June 2017/by eddie

Using a Delay as a Reverb

21st June 2017/by eddie

Using a Delay to create a Crackle Effect

21st June 2017/by eddie

Flanger Effect – what is it and how does it work

21st June 2017/by eddie

Using a Flanger to create Stereo Effects

21st June 2017/by eddie

Using a Phaser Effect on Synth Pad Sounds

21st June 2017/by eddie

Phaser Effect – what it is and how it works

21st June 2017/by eddie

Processing Female Vocals using the Reverb 2445

21st June 2017/by eddie

Creating a Big Studio Reverb a.k.a the Abbey Rd Reverb

21st June 2017/by eddie

Reverb Compression for Drums

21st June 2017/by eddie

Reverb smoothing using a De-Esser

21st June 2017/by eddie

Drum Reverb

21st June 2017/by eddie

Creating a Master Mix Reverb

21st June 2017/by eddie

iZotope Ozone Reverb – how to create a mix reverb

21st June 2017/by eddie

Piano Reverb Processing

21st June 2017/by eddie

Reverb – manipulating distance

21st June 2017/by eddie

Reverb Effect – what is it and how does it work

20th June 2017/by eddie

Using Reverbs In Series for Female Vocals

20th June 2017/by eddie

Creating a Smooth and Liquid Reverb

20th June 2017/by eddie

Constructing the 3 master mix reverbs using Melda MReverb

20th June 2017/by eddie

Creating the 3 main reverbs using the FabFilter Pro R reverb

20th June 2017/by eddie

Mastering EQ – Air Band Processing

20th June 2017/by eddie

Mastering Demos with EQ

20th June 2017/by eddie

Linear Phase Eq versus Minimum Phase Eq

20th June 2017/by eddie

Eq Filters and Slopes/Responses

20th June 2017/by eddie

Using Dynamic Equalisation on Female Vocals

20th June 2017/by eddie

Dynamic EQ – what is it and how do you use it

20th June 2017/by eddie

What is an equaliser and how does it work

20th June 2017/by eddie

Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs

20th June 2017/by eddie

Working the Air Band with Equalisation

20th June 2017/by eddie

Filters and Filtering – what are filters and how do they work

20th June 2017/by eddie

Using Modulation with a 2 Band Filter – FabFilter Simplon

20th June 2017/by eddie

Using Modulation with a Single Band Filter – Soundtoys FilterFreak

20th June 2017/by eddie

Using a Step Sequencer on Filter Cut-Off and Resonance

20th June 2017/by eddie

De-esser – what is it and how does it work

20th June 2017/by eddie

Using Expansion – the power of Side-chaining

20th June 2017/by eddie

Noise Gate – What is it and how does it work

20th June 2017/by eddie

Noise Gates – Side-chaining Tricks

20th June 2017/by eddie

Harmonic Distortion – Odd and Even Harmonics

20th June 2017/by eddie

Harmonizer Effect – what it is and how to use it

20th June 2017/by eddie

Normalisation – What it is and how to use it

20th June 2017/by eddie

Phase – what is total and partial phase cancellation

20th June 2017/by eddie

Using Phase Cancellation in Sound Design

20th June 2017/by eddie

Tape Saturation – what is it and how do you use it

20th June 2017/by eddie

Valves/Tubes – what are they and how do they work

20th June 2017/by eddie

Cubase Meter – Customising

20th June 2017/by eddie

Metering – VU LUFS LU K-Ref….

20th June 2017/by eddie

Using Ghost Triggers for side-chaining

20th June 2017/by eddie

Side-chain Pumping Effect

20th June 2017/by eddie

Processing Low End Kicks

20th June 2017/by eddie

Layering drums using middle and side processing

20th June 2017/by eddie

Low End – what is Low End and how to Analyse it

19th June 2017/by eddie

Summing in a Mix within your DAW

19th June 2017/by eddie

Summing Audio

19th June 2017/by eddie

The Pan Law

19th June 2017/by eddie

DIY Mastering using Pink Noise

19th June 2017/by eddie

ISP – Intersample Peaks

19th June 2017/by eddie

Headroom and Dynamic Range

19th June 2017/by eddie

Gain Staging using VU Meters

19th June 2017/by eddie

Gain Staging using True Peak Meters

19th June 2017/by eddie

Mixing to Pink Noise

19th June 2017/by eddie

Band Pass Equalisation – cleaning audio

19th June 2017/by eddie

Cubase Balanced Panner versus Combined Panner

19th June 2017/by eddie

Compression – Science and Application

19th June 2017/by eddie

Transparent Limiting with a Compressor

19th June 2017/by eddie

Transparent Brickwall Limiting

19th June 2017/by eddie

Side-chain Expansion – Bass and Kick processing

19th June 2017/by eddie

Side-chaining Bass and Kick for EDM

19th June 2017/by eddie

Pumping and Swelling Drum Beats using Compressors

19th June 2017/by eddie

Negative Limiting using Valley People Dyna-mite

19th June 2017/by eddie

Compressor Types – FET , Opto, VCA and Vari-Mu

19th June 2017/by eddie

Feed-back Compression

19th June 2017/by eddie

The 4 Modes of Compression and Expansion

19th June 2017/by eddie

Compressing Hip Hop Drum Beats

19th June 2017/by eddie

Mix Bus Compressor Topologies – which compressor to use on the master bus

19th June 2017/by eddie

Compression – what is it and how to use it

19th June 2017/by eddie

Multiband Compression – what is it and how do you use it

19th June 2017/by eddie

Compressing Rap Vocals

19th June 2017/by eddie

Compressing EDM Drums Beats

19th June 2017/by eddie

Compressing Roland TR 909 Kick Drums

19th June 2017/by eddie

Compressing Roland TR 808 Kick Drums

19th June 2017/by eddie

Comparing Different Opto Compressors

19th June 2017/by eddie

Using Midi Expression and Continuous Controllers

19th June 2017/by eddie

Automation Lanes – what are they and how to use them

19th June 2017/by eddie

Automating Plugin Parameters

19th June 2017/by eddie

Extracting Audio Slices from any Beat and Converting them to Midi

19th June 2017/by eddie

Ripping and using Timing Information from a Drum Beat

19th June 2017/by eddie

Extracting Drum Sounds from a Beat

19th June 2017/by eddie

Topping and Tailing Ripped Beats – Truncating and Normalising

19th June 2017/by eddie

Working on the Sub Layer of a Kick Drum

19th June 2017/by eddie

Processing a Snare to fit in with a Ripped Drum Break

19th June 2017/by eddie

Real-time Automation

10th June 2017/by eddie

Brickwall Limiting

10th June 2017/by eddie

Creating a beat and an effect from a loop

9th June 2017/by eddie

Combining Ripped Beats to create new Beats

8th June 2017/by eddie

Chopping/Slicing Beats Using Recycle

19th June 2017/by eddie

Using Midi Expression and Continuous Controllers

19th June 2017/by eddie

Automation Lanes – what are they and how to use them

19th June 2017/by eddie

Automating Plugin Parameters

19th June 2017/by eddie

Real-time Automation

29th June 2017/by eddie

Programming Drum Beats using Cubase’s Key Editor

27th June 2017/by eddie

Importing Recycle REX Files and Constructing New Beats

19th June 2017/by eddie

Extracting Audio Slices from any Beat and Converting them to Midi

19th June 2017/by eddie

Ripping and using Timing Information from a Drum Beat

19th June 2017/by eddie

Extracting Drum Sounds from a Beat

19th June 2017/by eddie

Topping and Tailing Ripped Beats – Truncating and Normalising

19th June 2017/by eddie

Working on the Sub Layer of a Kick Drum

19th June 2017/by eddie

Processing a Snare to fit in with a Ripped Drum Break

10th June 2017/by eddie

Creating a beat and an effect from a loop

9th June 2017/by eddie

Combining Ripped Beats to create new Beats

8th June 2017/by eddie

Chopping/Slicing Beats Using Recycle

19th June 2017/by eddie

Compression – Science and Application

19th June 2017/by eddie

Transparent Limiting with a Compressor

19th June 2017/by eddie

Transparent Brickwall Limiting

19th June 2017/by eddie

Side-chain Expansion – Bass and Kick processing

19th June 2017/by eddie

Side-chaining Bass and Kick for EDM

19th June 2017/by eddie

Pumping and Swelling Drum Beats using Compressors

19th June 2017/by eddie

Negative Limiting using Valley People Dyna-mite

19th June 2017/by eddie

Compressor Types – FET , Opto, VCA and Vari-Mu

19th June 2017/by eddie

Feed-back Compression

19th June 2017/by eddie

The 4 Modes of Compression and Expansion

19th June 2017/by eddie

Compressing Hip Hop Drum Beats

19th June 2017/by eddie

Mix Bus Compressor Topologies – which compressor to use on the master bus

19th June 2017/by eddie

Compression – what is it and how to use it

19th June 2017/by eddie

Multiband Compression – what is it and how do you use it

19th June 2017/by eddie

Compressing Rap Vocals

19th June 2017/by eddie

Compressing EDM Drums Beats

19th June 2017/by eddie

Compressing Roland TR 909 Kick Drums

19th June 2017/by eddie

Compressing Roland TR 808 Kick Drums

19th June 2017/by eddie

Comparing Different Opto Compressors

10th June 2017/by eddie

Brickwall Limiting

10th October 2018/by eddie

The Art of Drum Layering – Advanced

16th November 2017/by eddie

Processing a Kick Drum in Parallel

12th November 2017/by eddie

Layering Kick Sounds using Tone Modules

12th September 2017/by eddie

Layering Kick Drums using a Tone/Test Generator and a Noise Gate

12th September 2017/by eddie

Layering Snares using a Noise Gate and Pink/White Noise

12th September 2017/by eddie

Layering Snares using a Synthesizer and a Noise Gate

21st June 2017/by eddie

Adding Sheen and Bounce to Roland TR 808 Kick drums

21st June 2017/by eddie

Creating a Huge Low End Kick

21st June 2017/by eddie

Shaping Drum Sounds for Layering

21st June 2017/by eddie

Create Epic Drums Sounds using the ‘Flip and Nudge’ Technique

21st June 2017/by eddie

Drum Layering in Native Instruments Battery

21st June 2017/by eddie

Drum processing using Middle and Side – M/S

21st June 2017/by eddie

Drum Layering Basics

21st June 2017/by eddie

Layering Drum Sounds using Multiple Layers

21st June 2017/by eddie

TR 808 Kicks and Multiband Compression

21st June 2017/by eddie

Compressing EDM Kick Drums

21st June 2017/by eddie

EDM Kick Drum Processing using Valves/Tubes

21st June 2017/by eddie

Add Variety to your Drum Beats using Delay Effects

26th June 2017/by eddie

Ducking any Frequency using Middle and Side

20th June 2017/by eddie

De-esser – what is it and how does it work

20th June 2017/by eddie

Using Expansion – the power of Side-chaining

20th June 2017/by eddie

Noise Gate – What is it and how does it work

20th June 2017/by eddie

Noise Gates – Side-chaining Tricks

20th June 2017/by eddie

Harmonic Distortion – Odd and Even Harmonics

20th June 2017/by eddie

Harmonizer Effect – what it is and how to use it

20th June 2017/by eddie

Normalisation – What it is and how to use it

20th June 2017/by eddie

Phase – what is total and partial phase cancellation

20th June 2017/by eddie

Using Phase Cancellation in Sound Design

20th June 2017/by eddie

Tape Saturation – what is it and how do you use it

20th June 2017/by eddie

Valves/Tubes – what are they and how do they work

17th April 2018/by eddie

How to use Reverb for Electronic Drums

16th April 2018/by eddie

Layering Reverbs for a Big and Lush Effect

26th February 2018/by eddie

Using Cubase’s Stock Reverb Plugins

21st June 2017/by eddie

Chorus Effect – what is it and how does it work

21st June 2017/by eddie

Using Chorus Creatively on Vocals

21st June 2017/by eddie

Soundtoys Crystallizer- using Granular Synthesis on Vocals

21st June 2017/by eddie

Using a Delay to create Chorus

21st June 2017/by eddie

How to Calculate Delay Times

21st June 2017/by eddie

Using a Delay to Manipulate Stereo Width

21st June 2017/by eddie

Delay Effect – what is it and how does it work

21st June 2017/by eddie

Delay Effect – Cross Feedback and Style

21st June 2017/by eddie

Using Modulation to shape a Delay Effect’s Filters

21st June 2017/by eddie

Using Stereo Delays on Vocals

21st June 2017/by eddie

Using a Delay as a Reverb

21st June 2017/by eddie

Using a Delay to create a Crackle Effect

21st June 2017/by eddie

Flanger Effect – what is it and how does it work

21st June 2017/by eddie

Using a Flanger to create Stereo Effects

21st June 2017/by eddie

Using a Phaser Effect on Synth Pad Sounds

21st June 2017/by eddie

Phaser Effect – what it is and how it works

21st June 2017/by eddie

Processing Female Vocals using the Reverb 2445

21st June 2017/by eddie

Creating a Big Studio Reverb a.k.a the Abbey Rd Reverb

21st June 2017/by eddie

Reverb Compression for Drums

21st June 2017/by eddie

Reverb smoothing using a De-Esser

21st June 2017/by eddie

Drum Reverb

21st June 2017/by eddie

Creating a Master Mix Reverb

21st June 2017/by eddie

iZotope Ozone Reverb – how to create a mix reverb

21st June 2017/by eddie

Piano Reverb Processing

21st June 2017/by eddie

Reverb – manipulating distance

21st June 2017/by eddie

Reverb Effect – what is it and how does it work

20th June 2017/by eddie

Using Reverbs In Series for Female Vocals

20th June 2017/by eddie

Creating a Smooth and Liquid Reverb

20th June 2017/by eddie

Constructing the 3 master mix reverbs using Melda MReverb

20th June 2017/by eddie

Creating the 3 main reverbs using the FabFilter Pro R reverb

10th July 2019/by eddie

Band-pass Equalisation – Slopes and Gradients

17th June 2019/by eddie

Using Dynamic EQ on the Drum Group

7th March 2019/by eddie

Using EQ for Punch and Clarity on a 909 Kick Drum

7th March 2019/by eddie

Using Dynamic EQ to balance Kick and Bass

7th March 2019/by eddie

Using EQ to Clean and Enrich Rap Vocals

7th March 2019/by eddie

Using EQ to add presence and dynamics to an Electric Bass

7th March 2019/by eddie

Using EQ to add presence and dynamics to a Piano sound

7th March 2019/by eddie

Using EQ to add presence and dynamics to a Guitar Line

7th March 2019/by eddie

Get your 808 Bass Drums to hit hard using Dynamic Equalisation

7th March 2019/by eddie

Using the Pultec Eq on a Drum Beat

20th June 2017/by eddie

Mastering EQ – Air Band Processing

20th June 2017/by eddie

Mastering Demos with EQ

20th June 2017/by eddie

Linear Phase Eq versus Minimum Phase Eq

20th June 2017/by eddie

Eq Filters and Slopes/Responses

20th June 2017/by eddie

Using Dynamic Equalisation on Female Vocals

20th June 2017/by eddie

Dynamic EQ – what is it and how do you use it

20th June 2017/by eddie

What is an equaliser and how does it work

20th June 2017/by eddie

Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs

20th June 2017/by eddie

Working the Air Band with Equalisation

20th June 2017/by eddie

Filters and Filtering – what are filters and how do they work

20th June 2017/by eddie

Using Modulation with a 2 Band Filter – FabFilter Simplon

20th June 2017/by eddie

Using Modulation with a Single Band Filter – Soundtoys FilterFreak

20th June 2017/by eddie

Using a Step Sequencer on Filter Cut-Off and Resonance

20th September 2018/by eddie

Avoiding Masking and Summing of frequencies by Panning

2nd July 2018/by eddie

Converting Dual Mono Tracks into Stereo in Cubase

20th June 2017/by eddie

Cubase Meter – Customising

20th June 2017/by eddie

Metering – VU LUFS LU K-Ref….

19th June 2017/by eddie

Summing in a Mix within your DAW

19th June 2017/by eddie

Summing Audio

19th June 2017/by eddie

The Pan Law

19th June 2017/by eddie

DIY Mastering using Pink Noise

19th June 2017/by eddie

ISP – Intersample Peaks

19th June 2017/by eddie

Headroom and Dynamic Range

19th June 2017/by eddie

Gain Staging using VU Meters

19th June 2017/by eddie

Gain Staging using True Peak Meters

19th June 2017/by eddie

Mixing to Pink Noise

19th June 2017/by eddie

Band Pass Equalisation – cleaning audio

19th June 2017/by eddie

Cubase Balanced Panner versus Combined Panner

20th September 2017/by eddie

Roland TR 808 Kick Drum Bounce Processing

26th June 2017/by eddie

Mixing Bass and Kick

20th June 2017/by eddie

Using Ghost Triggers for side-chaining

20th June 2017/by eddie

Side-chain Pumping Effect

20th June 2017/by eddie

Processing Low End Kicks

20th June 2017/by eddie

Layering drums using middle and side processing

20th June 2017/by eddie