MixBus-Transparent Pre Mastering is a detailed video tutorial on how to construct the DAW’s master bus for transparent mastering.
It seems that nowadays mastering means – LOUD.
That is actually the exact opposite of what mastering is and our continual battles in the Loudness Wars seems to be paying dividends. More and more home studio producers are learning that it is more about dynamic range and not loudness, about depth and separation and not loudness, about maximizing and optimising for a specific genre and not loudness.
I myself always use a mastering engineer for my own productions. Mastering your own music is a little too personal and critical decisions will be made as to what you ‘like’ as opposed to what is ‘needed’. However, that is not to say you cannot perform demo masters. I actually encourage producers to try to master their own demos. It is a great learning experience and one that all should try at some point.
But let us assume you want to use a professional mastering engineer for your productions. The most important contribution you could make is to make sure your productions are ready for mastering. This is not as technical a subject as it sounds but it does require a learning curve.
Creating a transparent pre-master is quite challenging because if you are anything like me you want to instantly hear a coloured (processes that alter the sound in harmonic ways) change to the mix. It is far easier to get emotional about a sound that is warm and fuzzy and has been teased with a lovely valve compressor than it is to hear that which is termed as ‘correct’ but has little colour. However, transparent pre-masters are like hens’ teeth for mastering engineers as they are now in charge of colouring the mix and the fact that the pre-master is transparent means they can apply any process without fear of compromising for the genre the pre-master is intended for.
In the MixBus-Transparent Pre Mastering video, I run through all the processes required to create a transparent pre-master. I show you how to use an equaliser, a bus compressor and a limiter to bring out the best in your masters. I run through each process showing you the settings I use to create transparent masters. But if you are hankering for some deeper content then my video-book MixBus Strategies is for you.
Plugins used in this video:
Topics covered in this video are:
- MixBus/Master Bus architecture
- Dynamic Processing in Series
- Cleaning and Equalisation
- Transparent Limiting
- Pre-Master preparation
- Dynamic Compression
- Redundant Frequencies
- Level Matching
- Referencing Gains
If you found this tutorial of help then maybe these will also be of benefit:
Mastering EQ – Air Band Processing
Working the Air Band with Equalisation
DIY Mastering using Commercial Mix Profiles
Stealing Transients – Maximising Loudness
Summing in a Mix within your DAW
What is an equaliser and how does it work
Eq Filters and Slopes/Responses
Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs
Dynamic EQ – what is it and how do you use it
Linear Phase Eq versus Minimum Phase Eq